
Insider DTF printing advice to boost print quality, save time and avoid common mistakes. Whether you are just getting started or want to sharpen your skills, we’ve got you covered! From powder to press, small changes can make a big difference in print quality, speed, and consistency. At Xpres, we’ve helped thousands of customers overcome early hurdles and get the best results.
Direct to Film (DTF) printing is a method that prints your design onto a transfer film, coats it with adhesive powder, before curing and then heat-presses it onto fabric. It works on cotton, polyester, blends, nylon and more, making it one of the most versatile clothing decoration methods.
For a full breakdown of the process, browse our DTF page.
High-quality DTF prints typically last 50+ washes without cracking, peeling, or significant fading, often longer than DTG or vinyl.
Durability depends on:
Here are the most frequent issues beginners encounter with DTF printing that affect print consistency:
Cracking: Make sure you use the correct heat press settings for your transfer. Too much heat can cause the ink to be brittle, whilst not enough heat or pressure could risk the adhesive not bonding properly with the fabric, leading to peeling and cracking.
Dull colours: There are lots of factors which can have an impact on your colour from print settings and your design to heat press settings and peeling. Make sure you use high-quality consumables and follow the correct temperature, time and peel instructions.
Powder not bonding: As always, make sure to use the correct heat press settings to allow the adhesive to fully melt. If you’re using cold peel film, leave to cool properly before peeling, any premature peeling can cause the design to lift or crack.
Tip: Pre-press any garments for 5-10 seconds before applying the transfer to remove any hidden moisture, which can create steam and interfere with the bond.
Peeling after washing: Make sure you use high-quality supplies, have the correct heat press settings and follow the peel instructions for the film. After peeling the film, place a parchment paper or Teflon sheet over the design and press again for a few seconds to further embed the ink.
Grainy finish: Check your printer settings as printing too much ink, especially white ink, can lead to a grainy result. You can also check your image resolution, using a low-resolution image (below 300 dpi) can make the print appear pixelated, especially when enlarged.
Weak white underbase: Check your print nozzles and run a nozzle check pattern. If lines are missing, you can perform head cleans. You may need to ensure your white ink is shaken well and not expired. Finally, review your software and confirm white underbase is enabled and set correctly in your RIP software.
If your transfers crack, feel grainy, or peel after washing, these beginner DTF tips apply to help you improve overall print durability.

The biggest printing headaches often come from low quality gear. Here’s what you need to get started for high-quality DTF printing.
DTF Printer: Choose the right printer for you from a brand you can trust. At Xpres, you can explore hardware from Epson, Mimaki or Roland to print your designs.
DTF Film: Find the right specially coated PET film for transferring your design. You can choose from hot peel, cold peel or instant peel, all available in sheets and rolls, depending on what suits your workflow best.
DTF Powder Adhesive: Used to bond the design to the fabric, DTF powder is an essential part of the transfer process.
Curing Unit or Oven: To melt the powder before pressing, you can choose from a range of units and ovens to suit your needs and demands.
Heat Press: To apply the transfer to the garment, find the heat press which is right for you. Swing presses are ideal and are available in manual or pneumatic models.
RIP Software: This software handles colour management, ensuring accurate colour reproduction across different printers and media through dedicated print profiles. It also provides useful tools for resizing, duplicating and nesting artwork. Nesting is a feature that groups your designs on the page to minimise media wastage.
Due to the absorbent nature of the DTF coating, it is extremely susceptible to humidity and moisture. We recommend investing in a humidity reader to ensure the humidity conditions are kept between 35 – 65%. This helps prevent issues such as clumped adhesive powder, leading to uneven coverage on your transfer.
3. Storing Your Film Properly
Moisture can dramatically affect how the DTF Film performs and can cause the film to curl. We recommend that rolls and sheets are stored in their original packaging and sealed between uses. Store away from walls and off the floor for added protection.
The secret is ‘low and slow’. Curing your prints and adhesive powder is more effective at a lower temperature with a longer press time. The recommended temperature is 100-120 degrees, and the time will vary depending on the size of your design. Our best-seller is the Adkins BETA Swing Press, a trusted, durable machine that swings completely clear for easy access to your garment.
During curing, you need to achieve an ‘orange peel’ effect. This is when the cured adhesive powder looks glossy with a bumpy effect, which resembles the outer skin of an orange! Once you see this effect on your transfers, that’s when you know it’s the perfect condition to press. Make sure not to over-cure, as this can cause your print to become brittle.
There are signs to look out for which will indicate that you need to adjust your cure time and/or temperature:
Addressing these two issues solves most durability complaints.
Regular tuning = fewer ruined transfers.
Completing a nozzle check to make sure your print head has no blocked nozzles at the start of the day is essential to better print output and fewer wasted prints. Be sure to follow maintenance guidelines for curing ovens too. Stick to a routine.
Whether your film is hot peel, cold peel or instant peel, we always recommend the same motion. When peeling the print, hold the garment flat and peel in one smooth, fast motion. For an easy starting point, release a corner and peel from there.
We always recommend second pressing your print with a silicone sheet / Teflon sheet once peeled. This ensures:
Different garments, films, or powders? Run a quick test to ensure everything is performing as you need it to. Even minor changes in fabric blend or humidity can affect results. Rather than produce a whole batch, it’s best to try a small run with your garments to potentially save your supplies from going to waste. Make sure you’re happy with your final product before going ahead!
How does DTF printing compare to other printing methods? The best option depends on your materials and what results you’re looking to get. Here’s a quick breakdown:
DTG - softer feel but needs pretreatment before printing and is limited to cotton fabrics.
Sublimation - extremely vibrant and an easy process but requires polyester fabrics light in colour.
HTV - Ideal for smaller garment runs featuring the same design and can be used on both light and dark fabrics, however requires a timely weeding process.
Consistency comes from controlling humidity, curing correctly, maintaining equipment and using trusted materials. Small adjustments early in the process can help prevent regular print issues.